SELECTED PERIODICALS

2022 Schwartz, Alexandra. "How a Landmark Feminist Show Got Erased

From Collective Memory", Hyperallergic (December 19, 2022)

2022 Colucci, Emily. ""Painting in New York: 1971-83" Is Ugly as Hell (And That's a Compliment)", filthy dreams (September 28, 2022)

2022 Clements, Alexis. ""52 Artists Challenges the Meaning of

“Women’s Art”" Hyperallergic (September 11, 2022)

2022 Binlot, Ann. "At the Aldrich, Revisiting a Groundbreaking Show for Feminist Art",

The New York Times Magazine (June 7, 2022)

2022 Sheets, Hilarie M. “Revising a Groundbreaking Show on Feminist Art”,

The New York Times (April 27, 2022)

2021 Scott, Andrea. "2021 in Review -

The Year the Art Scene Rebounded, Expanded, and Surrendered to N.F.T.s

The New Yorker (December 23, 2021)

2021 Ratcliff, Carter. “Revisiting the Joy of Pattern and Decoration”

Hyperallergic (August 28, 2021)

2021 Scott, Andrea. “At the Galleries”, The New Yorker (August 9, 2021): p. 7

2021 Smith, Roberta. “Pattern & Decoration: A Movement That Still Has Legs”,

The New York Times (August 6, 2021): p. C6 – 7

2021 Can Yerebakan, Osman.

“Highlights from ‘With Pleasure: Pattern and Decoration in

American Art 1972 – 1985’” interiordesign.net (August 2, 2022): p. 1-17

2020 Miranda, Carolina. "A story of art that is also a story of feminism and female friendship". Los Angeles Times (February 12, 2020)

2019 Stukin, Stacie,

“The Pattern and Decoration Movement is the Missing Feminist Piece

of Our Maximalist Movement” architectualdigest.com (December 5, 2019)

2019 Rubin, David.

“An Expansive View of an Underrated Movement: Pattern and

Decoration in American Art 1972-1985”. artandcakela.com, (December 4, 2019)

2019 Knight, Christopher,

“More is more. Why the Pattern and Decoration show at MOCA is

pure pleasure”. Los Angeles Times (November 4, 2019)

2019 Adamson, Glenn,

“Reassessing Pattern & Decoration, the Last Art Movement of the

Twentieth Century”. Art in America (Sept 2019): p. 40

2019 “And Decoration: Good Taste is the Final Refuge of the Unimaginative”

Space Magazine, (Sept 2019): p. 21-27

2008 Nadelman, Cynthia. “Pattern and Decoration”.

Review. Art News (April 2008): p. 150

2008 Cotter, Holland. “Scaling a Minimalist Wall with Bright Shiny Colors”

The New York Times (January 15, 2008): p. B1

2004 Miles, Christopher. “Report from Santa Monica !!, Tracking Patterns”

Art In America (February 2004): p. 79

1995 Gallini, Mark. “Finishing Touches”.

Seven Arts Philadelphia (September 1995): p. 59

1994 Carlson, Cynthia. “A Couple of Cats by Cynthia Carlson”

The Art Journal (Fall 1994, Vol. 53, No. 3): p. 42-45

1990 Stewart, Patricia. “Art”, The New Yorker (April 30, 1990): p. 13

1990 Raven, Arlene. “Out of Site” Village Voice (April 24, 1990): p. 100

1989 Cunningham, Linda. ed.

“The Memorial Redefined, Reconsideration of a Major Public Art Form”

Sponsored by the College Art Association (1989): p. 35-6

1987 Thorson, Alice. “Reviews and Previews”

Art News (December 1987): p. 164

1987 Wood, C. “Review”. New Art Examiner (November 1987): p. 49

1986 Upshaw, Reagan. “Cynthia Carlson: Memento Mori”

Art In America (July 1986): p. 101- 111

1986 Upshaw, Reagan. “Reviews”. Art In America (July 1986): p. 187-188, 193

1984 Russell, John. “The Decorative Tradition”

The New York Times (April 20, 1984): p. 15N

1983 Spector, Buzz, ed. White Walls (Autumn 1983): p. 57-80

1983 Heartney, Eleanor. “Cynthia Carlson” Arts Magazine (June 1983): p. 11

1983 Henry, Gerritt. “Reviews” Art News (Summer 1983): p. 201

1983 Tully, Judd. “Paper Chase” Portfolio Magazine (May/June 1983): p. 84-85

1982 Henry, Gerritt. “Recent Aspects of the Allover”

Arts Magazine (December 1982): p. 40

1982 Gamarekian, Barbara. “Remembering Vietnam”

The New York Times (September 10, 1982): Section C1, p. 21

1982 Glueck, Grace. “Group Show Celebrates Pollock Legacy in Art”

The New York Times (September 10, 1982): Section Ca, p. 21

1982 Anderson, Alessandra. “An Interior Exchanged”

American Craft (June/July1982): p. 51

1982 Kingsley, April. “Artpark and the Leisure Landscape”

Artexpress (May/June 1982): p. 26-29

1982 McTwigan, Michael. “An Interior Exchanged: Cynthia Carlson and

Betty Woodman in Collaboration” Arts Magazine (May 1982): p. 134-135.

1982 Perreault, John. “The Pattern of Exchange”

Soho Weekly News (March 9, 1982): p. 52

1981 Westfall, Stephen. “Reviews” Arts Magazine (October 1981): p. 15

1981 Phillips, Deborah. “Reviews and Previews”

Art News (September 1981): p. 158

1981 Putterman, Susan. “Cynthia Carlson”

Arts Magazine (September 1981): p. 15

1981 Raynor, Vivien. “Review”

The New York Times, Westchester (June 21, 1981): p.16

1981 Lolis, Merope. “Between Painting and Sculpture”

Arts Magazine (June 1981): p. 26

1981 Westfall, Stephen. “Reviews” Arts Magazine (June 1981): p. 26

1981 Larsen, Kay. “Review” New York Magazine (March 30, 1981): p. 59

1981 Anderson, Alessandra. “When Artists Make Furniture”

Art News (February 1981): p. 93-98

1981 Kingsley, April. “Cynthia Carlson” The Barat Review (Winter 1981): p. 77

1980 Olander, William. “New Voices 1: Cynthia Carlson”

Dialogue (September/October 1980): p. 29

1980 Wohlfert, Lee. “Young Artists New Yorkers Are Talking About”

Town and Country (September 1980): p. 199-207

1980 Kingsley, April. “Cynthia Carlson: The Intent of the Decorative Impulse”

Arts Magazine (March 1980): p. 90-91

1980 Stewart, Patricia. “High Decoration in Low Relief”

Art In America (February 1980): p. 97-101

1980 Olander, William. “Cynthia Carlson’s Inside Out Oberlin”

Oberlin College Bulletin #38, (1980) (no.1) p. 1-9, 80-81

1979 Lawson, Thomas. “Painting in New York: An Illustrated Guide”

Flash Art (October/November 1979): p. 4-11

1979 Perrone, Jeff. “Reviews” Artforum (November 1979): p. 80-81

1979 Flood, Richard. “Reviews” Artforum (October 1979): 74-76

1979 Ashbery, John. “Decorative Days” New York Magazine (July 2, 1979): p. 51

1979 Rickey, Carrie. “Decoration, Ornament, Pattern and Utility”

Flash Art (June/July 1979): p. 19-20

1979 Silverthorne, Jeanne. “Now You See It; Now You Don’t:

The Ambiguous Relief” Arts Exchange (May/June 1979): p. 16-22

1979 Perlberg, Deborah. “Reviews” Artforum (April 1979): p. 67

1978 DeAk, Edit. “Reviews” Artforum (March 1978): p. 68

1978 Frueh, Joanna. “Chicago’s Emotional Distress”

Artforum (September 1978): p. 41-47

1978 Frank, Peter. “Reviews” Art News (February 1978): p.145-6

1978 Rickey, Carrie. “Review of Pattern Painting at P.S.1.”

Arts Magazine (January 1978): p. 17

1977 Perreault, John. “Review” Soho Weekly News (December 29, 1977): p. 22

1977 Perreault, John. “Issues in Pattern Painting”

Artforum (November 1977): p. 32-36

1977 Cynthia, Carlson. “Grassroots Art in America”

Ms Magazine (October 1977): p. 64-68

1976 Gorney, Jay. “Cynthia Carlson” Arts Magazine (October 1976): p. 13

1976 Ratcliff, Carter. “The Paint Thickens” Artforum (Summer 1976): p. 43-47

1975 Zucker, Barbara. “Reviews and Previews” Art News (May 1975): p. 96

1975 Perreault, John. “Review” Soho Weekly News (March 13, 1975): p. 28

1971 Glueck, Grace. “The Ladies Flex Their Brushes”

The New York Times (May 30, 1971): Section 2, p: 20

1970 Anderson, Alessandra. “Reviews” Art International (May 1970): p: 31

1970 Applegate, Judith. “Exhibition at the Darthea Speyer Gallery”

Art International (May 1970):p. 65

1967 Pincus-Witten, Robert. “Review” Artforum (December 1967): p. 56